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Colour Therapy
Unfortunately, colour is something that the majority of us take for granted, largely
because it is abundant in countries such as ours, where technology can provide us
with those colours that Mother Nature cannot.
As children, we are generally more receptive to colour, and enjoy it much more for its own
sake than when we are older. Later in life our choices in colour become more consciously
affected by fashion, tradition, and symbolism, and the ‘message’ that we feel each of these
convey.
Reading into colour
Indeed, colours often influence the way in which we perceive new places, objects, and
people. No matter how open-minded we may think we are, the majority of us still make
assumptions, particularly where other people are concerned, based on colour. For instance,
consider how one might initially judge a bride dressed in black, a widow dressed in red, a
body-builder with a pink car, or someone in their twenties with a mop of grey hair.
The majority of such judgements are based on associating different moods, emotions, and
personal traits with specific colours. Just as we ‘somehow’ learn to join words together in
order to form sentences, we too come to link colours with meaning. Many people do not
know how or why red is associated with passion, anger and love – it is merely accepted, just
as dark means night and light means day. This is because we are born into a culture where
systems of meaning are already in place, and the majority of us simply accept these
systems at an early age without really thinking about where they came from and why.
As it happens, our ancestors used colour to judge whether something was poisonous or
ripe, dangerous or safe, whether a season was approaching or a day ending. Colour was a
means of survival, so it is only natural that we still use a system that has helped preserve
our livelihoods for centuries.
Colour and general well-being
In many respects, our survival still does depend on colour. Light consists of
colour, and humans – like other animals and plants – consist of life cells that
require light in order to survive.
Most of us are aware that dramatic changes in the quality or amount of light
we receive can have an effect on our general health; one only has to consider
how a dingy working environment can cause eye strain and headaches, or
how ‘depressing’ a cloudy winter’s day can be. In 1981, Dr N. E. Rosenthal
identified and named Seasonal Affective Disorder (SAD), a condition caused
by a deprivation of sunlight that interferes with the body’s natural day / night
clock in the winter months. Symptoms include depression, weight gain (often
due to an increased appetite for carbohydrates), a perpetual longing for sleep,
and a lacking of sexual urge – rather like a state of human hibernation!
Yet although it is readily accepted that sunny weather and bright colours are
better at raising our spirits than their rainy and more morose counterparts,
much scepticism remains when conversation turns to the subject of “Colour
Therapy”.
Most therapists would be in agreement that the general public find it difficult to
understand the potential benefits of therapies that do not work on a
predominantly physical level, such as massage. That is to say, it is relatively
easy for a client to see how the effects of stress can be tackled by having
tense muscles in the neck and shoulders physically manipulated. There is a
scientific logic involved that has a known biological effect on the body. To
accept that exposure to purple or blue light could achieve the same ends
would take a much stronger belief system as the treatment is less tangible.
Yet despite the odds, Colour Therapy is growing in popularity, possibly
because it shares many of the philosophies that underpin other holistic
therapies that have also derived from the East. But as it is the same with many
of its ilk, how Colour Therapy is applied and how it is believed to work varies
according to different schools of thought.
The properties of colour
One thing that seems to remain universal in Colour Therapy are the properties
pertained to each of the major colours. The most common of these include:
Dark Blue Light Blue Green
Confidence Affection Balance
Intuition Communication Generosity
Loyalty Creativity Loyalty
Reliability Devotion Spirituality
Tranquillity Honesty Stability
Wisdom Peace Sympathy
Orange Red Yellow
Creativity Energy Competitiveness
Energy Impulsiveness Detachment
Self-expression Intensity Enthusiasm
Happiness Passion Intelligence
Sexuality Restlessness Joy
Warmth Outgoing Power
Purple Brown Black
Creativity Earthiness Authority
Intuitive Loyalty Dignity
Mystical Passive Mystical
Unifying Reliable Serious
Obviously there are numerous other colours which also have universal
characteristics attached to them, but Colour Therapists generally use only the
‘pure’ colours that make up the visible light spectrum: typical diagrams will
show a circle divided evenly between red, orange, yellow, green, turquoise,
blue, violet and magenta.
Red, orange and yellow are at the ‘magnetic’ end of the spectrum and are
believed to have a warming and stimulating effect on clients. Green is the
middle and ‘neutral’ colour in the spectrum in terms of its effects, leaving blue,
indigo and violet at the ‘electrical’ end, with their calming effects.
Each of the colours used for therapy are believed to have a complementary
colour, and many therapists will incorporate both in order to achieve a state of
overall balance. For instance, someone being treated with the colour orange
will often receive a smaller dose of blue in order to cancel out any negative or
short term effects of the main colour applied.
How the colours are used by therapists
The way therapists use colour to treat their clients can vary quite considerably.
Most common uses include:
Coloured filters: the client is exposed to light (often in the form of daylight
bulbs) being passed through coloured filters. Some therapists will literally
bathe the client in the appropriate colour, while others will concentrate it upon
those areas that need direct attention. In some instances, the exposure will be
rhythmical as opposed to constant, as it is believed that the body will
otherwise ‘switch itself off’ to the colour. Glass filters are believe to be more
effective than plastic gels in both of these methods, as stained glass produces
the complete vibrational spectrum of its given colour where light is passed
through it.
Solarised water: spring water is poured into a stained glass bottle and kept
in direct sunlight for several hours. It is believed that the water will gain the
vibrations of the bottle’s colour (which is then consumed by the client).
Solarised cream: a container of non-perfumed and non-coloured cream is
placed under or in a glass filter and exposed to sunlight. As with the spring
water, the cream then adopts that colour’s vibrations. These creams are then
used externally for treating skin conditions.
Colour channelling: the therapist scans the body’s aura and then acts as a
channel, transmitting colour onto the client.
Ingesting colour: it is believed that the properties of colour can be obtained
to a certain degree through food stuff, particularly if the food’s colour is natural
and it is grown in sunlight.
Determining which colour to use
Before a client can be treated with colour, it firstly needs to be established
which colour they need to be treated with. There are several methods that
Colour Therapists use to make their diagnosis, including:
Kinesiology: the client holds a colour in front of themselves with their left
hand while the kinesiologist applies pressure to their right arm, which should
be horizontal to their body. If the client’s right arm does not resist the pressure,
then the colour being held at that point in time is the one with which s/he
needs to be treated.
Aura scanning: the therapist’s palms are used to scan the client’s aura in
order to establish whether there are any blockages impeding the seven major
chakras. The Colour Therapist then channels colour to the client via touch.
Dowsing: this traditional shamanistic method typically involves the therapist
holding a pendulum in front of the client which they then ask a series of
‘yes/no’ questions. The pendulum will then respond by either turning clockwise
or anti-clockwise, or by swinging. The therapist has to first determine which
pendulum movements mean ‘yes’ and which mean ‘no’ before they can
effectively use this state of the higher self to help their client(s).
Colour Therapy: a wide range of disciplines
Colour Therapy is like most complementary therapies in that there is no single,
definitive school of thought on the subject. Many therapists will incorporate
colour into their mainstream practices, such as reflexology, Indian Head
massage, crystal therapy, or yoga, resulting in the frequent marriage of
different complementary disciplines.
Some Aromatherapists will also mentally ‘cloak’ themselves in gold or yellow
prior to treating clients, believing that this method of visualisation will protect
them from the possible transference of negative emotions.
But whether people choose to believe that the practice of Colour Therapy is
effective or not, the fact that many ‘acceptable’ professions have come to
acknowledge and use the properties of light and colour cannot be overlooked.
Certain types of light are already being used by the medical profession: the
anti-bacterial properties of ultra-violet (UV) light is frequently employed to treat
walls, tables and instruments to kill germs in operating theatres. Glasses with
coloured lenses are being used to ease reading and writing difficulties faced
by dyslexics. Blue, green and pink décor can be found in prisons and
psychiatric wards to pacify inmates and patients, while pale yellow is in
schools to promote learning. And whether you are a believer or a non-believer
in the power of colour, if clients are happy with their results, who are we to
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